How creativity works? Associations and hedgehogs.
creativity explainedHave you heard that feeling happy, meditating, or thinking about the future can boost your creativity? Surprised? Indeed, this may sound like bullshit. But once you know what is happening behind the scenes, it makes sense. Understanding how creativity works is the first step to improve your creative thinking.
We all used to play the word association game. It triggers a weird satisfaction of moving away from one word to another, exploring more and more distant regions of your mind. The longer you play, the more it goes into the direction of dinosaurs (if you’re a kid) or sex (if you’re a teenager, or if you’re like me). Good news: if you know the association game, you will easily grasp the theory behind how creativity works!
Associations’ race in your head
Let’s give it a try. Think about a “cat”. What are your associations?
For me, the word “cat” very likely triggers “dog”, “fur”, and “cute pictures”. Less likely, “spikes” (the reason why females wail when making babies) and very unlikely, “water” (because we all know cats are liquid!). The distinction between “very likely” and “unlikely” is the basis of the associative theory of creativity. According to its author, Mednick (1962), a creative idea is born out of an unusual combination of associations. The unusual combination, in turn, emerges from two distantly related concepts. But how do you get there?
How creativity works: highways and dirt roads
Imagine that associations are connected with perfectly smooth, three-lane highways (“very likely”), and with bumpy dirt roads (“very unlikely”). If your associations have many bumpy roads and a few highways, it’s easy to get an unusual combination. This is because the most typical associations are not favored by the highways. But if your associations are mostly connected with fancy highways and just a few dirt roads, you end up with non-creative, typical combinations. You will only get the easily accessible associations.
For example, if a “cat” has a dirt road to “fur” and “water”, you will come up with an unusual combination easily. You never know where you end up. But if a “cat” has a highway to “fur” and dirt roads to other associations, you’ll almost always go to “fur” and almost never go to “water” or “spikes”. The “highways” stand for the strong associations that are very likely, while the “dirt roads” stand for the weak associations that are unlikely (see Figure 1).
I have only highways, am I doomed?
Mednick was a smart guy, but he talked mainly about the differences between people. So while Harry has a flat association hierarchy (no association dominates because they’re all connected with dirt roads), Ron will have a steep one (a strong association through a highway with “fur” and weak with “spikes” through a dirt road). That’s pretty cool already, isn’t it? But it became even more interesting when another clever dude, Martindale (1989), introduced spicy details to Mednick’s theory. Martindale wanted to explain how the association patterns change depending on the situation. And the fact that the association patterns may change is good news because it means we’re not doomed to our association hierarchies. They’re not set in stone!
Strong and weak activation
The new idea was that our associations behave like a set of interconnected nodes (semantic network, see Figure 2). Each node has direct or indirect links to other nodes. How does it work in practice? If you think of a cat or if you see a cat, the “cat” node will be activated. This activation will spread from that node (“cat”) to surrounding nodes, bringing “fur”, “dogs”, or “cute pictures” to your mind. The question is, when does the activation reach “spikes” and “water”? Similar to the idea of “unlikely” associations, some nodes are easier and some are harder to reach. “Spikes” and “water” may be harder to reach, because these nodes are simply further away from the “cat” node. Whether activation reaches more distant nodes depends on its strength.
When trucks and motorcycles enter the roads
But what is this activation strength all about? Imagine packing your mental energy into a few trucks or into hundreds of motorcycles. Strong activation of a few nodes (“fur”, “dog”, “cute pictures”) blocks the spread of activation to further nodes. In other words, mental energy packed into a few trucks will reach only the closest associations. But when the activation is weak and distributed evenly across multiple nodes, it may well reach “spikes” and “water”. So, pack your mental energy to multitude of motorbikes and it will reach the darkest corners of your mind (hedgehogs too – see Figure 3)…
If you’re still reading, congratulations and rest assured that’s really it. Hopefully, your association hierarchy is as flat as the Netherlands, and the weak activation is spreading like Harry on the Firebolt to the most distant associations in your mind. Armed with the knowledge on how creativity works, try to think about it the next time you hear about becoming more creative.
Play the word association game:
How unique are your associations?
Do you have the same associations to the word “cat”?
References
- Mednick, S. A. (1962). The associative basis of the creative process. Psychological Review, 69(3), 220–232.
- Martindale, C. (1989). Personality, situation, and creativity. In R. T. Brown (Ed.), Handbook of creativity: perspectives on individual differences (pp. 211–232).
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Because of „Pet Sematary” by Stephen King that I am reading right now, I associate the word „cat” with a cemetery… seriously. I don’t know how long this will last but the descriptions in the book are wild so it may last for some time! Also, I associate cats with being independent (I think this one is strongest; and that cats casually do not care about anything. So it is more of a concept than a physical feature). But if I was to choose a feature, I would say eyes glowing in the dark. With dogs, it would be more boring though, barking and daily walks (I am a cat person).